Poetry, wisdom, honesty, danger, stuff...
PREFACE
The piano began as the antidote to wasted years at university, and a bridge to connect with my father.
But it became a pathway of humility and detachment, a spiritual thing. It led my life to Manchester, and fresh starts. It could catalyse and open doors.
It was a roller coaster; insurmountable, whilst a lens to mind and body mechanisms, and the artistry of the neural maze.
But ultimately it ran its course…
21/6/26
CONTENTS
Part one
Prelude
Manchester university
VG Data systems
Debbie
Clare -
Buddha would only “play piano”
Part two
Slave to music
Diploma attempts
Letting go
Settling down
Part three
Freedom
* * *
Prelude
Life should have started,
but cannabis and alcohol
shrouded my ticket.
A third from York didn’t help:
three years acting the goat
for friendship
was a backdoor to leftovers;
others swore I chose it.
An adult-child, I’d say yes for no
in “grown-up” pantomime,
Forrest Gump’s feather in a gale.
I soon went home - not to Catholicism
but uni: the haven of escapists.
Good odds balanced poor pay.
With no career mentality
and avoiding any one pub too much,
piano clicked. Dad
had introduced me to Chopin:
Scherzos and Ballades.
I’d climb Mount Parnassus.
A piano was delivered.
Manchester university
Steve introduced himself
like a man twice your age can.
It was lunch:
Guinness time in the Ducie,
making manageable chunks.
I was taciturn and conscious of it.
That guilt spoke. Steve
told me he left his family for a man.
He’d say ‘bueno Chopin’ in local tone
and encouraged my playing.
I was obsessed. He knew it.
One night drinking,
I met Antonio.
He French kissed me in the street.
I allowed it for a second too long,
never meeting again.
Steve said Antonio wasn’t gay,
he was getting by.
I lived for Steve and Chopin,
but mainly the Pole.
After one year in my computer “cell”,
I ignored Steve’s pay cheque,
took a first job,
and life’s dissonance grew.
​​
VG Data Systems
Life’s a canon.
You follow yourself around.
Problems moved. So did I.
I had Ravel’s Bolero mind.
The voices I took as real:
“he’s a yes man”,
“he’ll never live it down”,
“he’s ruined his career” …
At lunch I drove home,
A few minutes of music through fields,
to make up lost years at the keys.
I was a company scherzo,
mocked for the love that saved me.
​​
Debbie
My mind had no key.
Anti-silence
collapsed everything
into one dull note.
After private care,
the NHS caught me drifting
through medicated
jobless days.
I met Debbie there,
a pianist looping
del segno al coda.
With her changing moods,
she seemed younger than her years,
always a beat
ahead of herself.
We were all trying
to catch the years we’d lost,
living off-rhythm,
arriving at our postludes.
Clare -
came into my life
by surprise.
The litany:
they met on the MSc;
sat together in assembly language;
both bought pianos from Dales;
both knew Winwick hospital;
both lonely souls,
but fifteen years apart —
counterpoint staggered
yet somehow in tune.
Age gave the upper hand;
psychological depth,
a Masquerade.
Blinded again by Chopin —
I mistook
her college-level filigrees
for wholesomeness,
but music wasn’t enough.
​​
For three years I talked;
fifteen, the scores split.
I couldn’t abandon her
the way my mum did.
She died.
​​
Buddha would only “play piano”
If life had been a canon,
by grade 8 the instrument had made me —
an identity Clare helped me reach
through prelude, fugue,
sonata and romance.
I juggled the titles
piano player and pianist.
One was literal,
the other a badge I wore early.
I hadn’t yet found an “I am”,
so I owned the label.
But Buddha would only
“play piano.”
​
Slave to music
Practise was daily
to avoid anxiety,
like an anxiolytic.
I never knew the limit,
only the lateness.
Scriabin’s Etude in Sevenths
inflamed a tendon.
I stopped for weeks,
unfocused and low.
Even away from it,
my timing was off.
​
Diploma attempts
These were the summit
for an amateur,
post-nominals.
A badge for life:
associateships,
licentiates,
fellowships.
But piano sustained
one rich chord.
Grade 8 was a Ben Nevis;
beyond it, the climb
was pride alone.
I tried
to impress my distant father,
whose praise thinned
at grade 5.
Piano became an engine of feeling —
a reward loop.
So art grew into ego
as Liszt and Rachmaninov
were craved.
​​
Letting go
You forget,
unlike the proverbial bike.
Harmonies transgress.
Melodies meander and clash
as pathways blur
and electrics fail,
chaining you to the piano leg.
Are you to play forever,
or find a grander identity within,
or moderate the drive?
Thousands of hours
don’t shelve easily.
For some it’s impossible.
Self-love — the I am —
is key to the obsession
we project onto piano.
I am a pianist.
I am a piano player.
I am musical.
I am.
​​
Settling down
Clare called it grade 8
maintenance, but even 6.
It’s Henry Mancini,
Michel Legrand,
Johnny Mandel,
Lloyd Webber.
It’s lifting hairs with them,
expressing each note
as if it were a song. It’s one we sing
within our heads,
our hands already free.
It’s love
expressed when it feels right,
not by habit.
It’s love.
Freedom
It’s akin to smoking:
“cigarette”,
“cigarette”,
“piano”,
“piano”.
For me, the fear of emptiness
was the end of practise,
the end of identity.
I had to obsess.
When the voice has gone,
So too has the obsession:
“cigarette”,
“cigarette”,
“piano”,
“piano”.
The same obsession saved my life;
in different lives,
with Steve, Debbie, Clare,
each one in a life without me.
* * *